Jimi Hendrix · 1997 · Studio album

First Rays of the New Rising Sun tuning.

E♭ Standard, about 7 cents sharp (A ≈ 442), measured on the CD. 10 of 17 songs are tuned differently.

First Rays of the New Rising Sun album cover

Album tuning

E♭ Standard +7 ¢

About 7 cents sharp (A ≈ 442), measured on the CD.

MeasuredWidely reported

Tune like thisPlay alongAll 17 songs

Measured by TuneLit

7 ¢ sharp

SourceOffsetEquivalent ASongsSpreadConfidence
CD, MCA/Experience Hendrix MCD 11599 (1997)+6.6 ¢A 441.717+5.4 to +9.6 ¢High
Offset from concert pitch (A 440). Spread: the middle half of the songs, when four or more share the album's pitch. Confidence: how well the notes agree with one grid.

Before we measured, sources said: E♭ Standard, with no pitch given (widely reported).

Released in 1997, after Hendrix's death, as his planned fourth studio album: seventeen songs, most of them recorded at Electric Lady Studios in 1970, assembled by Eddie Kramer and Mitch Mitchell. Mostly E♭ Standard, with My Friend in D Standard and Astro Man and Room Full of Mirrors in E Standard. TuneLit measured the first 1997 CD at about 7 cents sharp (A ≈ 441.7); the later CDs agree within 3 cents.

17 songs · 10 tuned differently

Every song, ready to tune

Tune opens the tuner in that song's tuning, pitch included. Play along opens the song player set to that tuning, so the track plays in yours. What the labels mean

  1. 1. Freedom

    Different pitch

    E♭ StandardMeasured

    Notes

    Tabbed in E♭ Standard; the audio check agrees. The record sits at concert pitch, a little below the album value.

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  2. 2. Izabella

    Different pitch

    E♭ Standard +37 ¢Measured

    Notes

    About 37 ¢ sharp of E♭ (A ≈ 449.5), near the middle between two notes; the audio check hears E♭.

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  3. 3. Night Bird Flying

    E♭ Standard +7 ¢Measured

    Notes

    Tabbed in E♭ Standard; the audio check agrees. Its own reading, about 5 ¢ flat, is uncertain, so it uses the album value; lower the reference a little if it sounds sharp.

  4. 4. Angel

    E♭ Standard +7 ¢Measured

    Notes

    Tabbed in E♭ Standard (a second tab says E); the audio check agrees with E♭.

  5. 5. Room Full of Mirrors

    Different tuning

    E Standard +7 ¢Measured

    Notes

    How to get there from the album's E♭ Standard: Every string up a half step.

    A slide-guitar song. The studio tab is in E Standard and the audio check agrees; tabs of live versions use E♭. Its own reading, about 22 ¢ sharp, is uncertain, so it uses the album value.

    The tab of the studio recording is in E Standard; a tab of a live version is in E♭ Standard.

  6. 6. Dolly Dagger

    E♭ Standard +7 ¢Measured

  7. 7. Ezy Ryder

    Different pitch

    E♭ Standard −8 ¢Measured

    Notes

    About 8 ¢ flat of E♭ (A ≈ 438); the audio check agrees.

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  8. 8. Drifting

    Different pitch

    E♭ Standard −5 ¢Measured

    Notes

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  9. 9. Beginnings

    Different pitch

    E♭ Standard +16 ¢Measured

    Notes

    About 16 ¢ sharp of E♭ (A ≈ 444.2).

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  10. 10. Stepping Stone

    Different pitch

    E♭ Standard −6 ¢Measured

    Notes

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  11. 11. My Friend

    Different tuning

    D Standard +16 ¢Measured

    Notes

    How to get there from the album's E♭ Standard: Every string down a half step.

    From a session with Kenny Pine on 12-string guitar and Stephen Stills on piano. Tabbed in D Standard; the audio check agrees. About 16 ¢ sharp (A ≈ 444.2).

    The tab (Hendrix and the 12-string part) is in D Standard.

  12. 12. Straight Ahead

    Different pitch

    E♭ Standard −5 ¢Measured

    Notes

    Hendrix's 1969–⁠1970 sessions are tabbed a half step down, E♭ Standard, like his concerts of the time.

  13. 13. Hey Baby (New Rising Sun)

    E♭ Standard +7 ¢Measured

    Notes

    Tabbed in E♭ Standard; the audio check agrees.

  14. 14. Earth Blues

    E♭ Standard +7 ¢Measured

  15. 15. Astro Man

    Different tuning

    E Standard −33 ¢Measured

    Notes

    How to get there from the album's E♭ Standard: Every string up a half step.

    Tabbed in E Standard; the audio check agrees with E. About 33 ¢ flat (A ≈ 431.8).

    The community tab is in E Standard.

  16. 16. In from the Storm

    E♭ Standard +7 ¢Measured

  17. 17. Belly Button Window

    E♭ Standard +7 ¢Measured

    Notes

    Billy Cox and Mitch Mitchell do not play on it. Tabbed in E♭ Standard; the audio check agrees.

What the labels mean

Measured
TuneLit measured the pitch on an original CD or LP. The tuning name still comes from the sources.
Official
The band, a member, their producer or their guitar tech said it.
Widely reported
Trusted outlets, guides and tabs agree, but the band did not say it directly.
From tabs
From community tabs, or from players who tune along with the record.
Disputed
Sources disagree. The likeliest setting is shown; the notes name the other one.

Each song shows one label, the strongest it has, in this order. How we measure recordings →

Questions

What tuning is First Rays of the New Rising Sun in?

Jimi Hendrix recorded First Rays of the New Rising Sun (1997) in E♭ Standard, about 7 cents sharp (A ≈ 442), measured by TuneLit on the CD. 10 songs use other tunings or pitches, listed song by song on this page.

Why does First Rays of the New Rising Sun sound out of tune with my guitar?

Izabella sits about 37 cents sharp (A ≈ 450), so a guitar tuned to A 440 clashes with it. The Tune buttons on this page set the tuner's reference to match the record, song by song, so you only tune the strings.