Pink Floyd · 1973 · Studio album

The Dark Side of the Moon tuning.

E Standard at concert pitch (A 440), measured on the CD. 2 of 10 songs are tuned differently.

The Dark Side of the Moon album cover

Album tuning

E Standard

At concert pitch (A 440), measured on the CD.

MeasuredWidely reported

Tune like thisPlay alongAll 10 songs

Measured by TuneLit

At concert pitch

SourceOffsetEquivalent ASongsSpreadConfidence
CD, Toshiba-EMI CP35-3017 (Japan, first CD issue)−1.4 ¢A 439.69−4.6 to +0.7 ¢High
Offset from concert pitch (A 440). Spread: the middle half of the songs, when four or more share the album's pitch. Confidence: how well the notes agree with one grid.

Before we measured, sources said: E Standard, with no pitch given (widely reported).

Standard tuning for the guitars; the steel on Breathe and The Great Gig in the Sky is in open G6 (D G D G B E). The first Japanese CD sits at concert pitch (A 440), with two exceptions: Time is about 23 ¢ flat (A ≈ 434) from start to finish, and The Great Gig in the Sky about 11 ¢ sharp (A ≈ 443).

10 songs · 2 tuned differently

Every song, ready to tune

Tune opens the tuner in that song's tuning, pitch included. Play along opens the song player set to that tuning, so the track plays in yours. What the labels mean

  1. 1. Speak to Me

    E StandardMeasured

    Notes

    Sound collage, no guitar.

  2. 2. Breathe

    E StandardMeasured

    Notes

    The chords are the Black Strat in standard tuning. The slide fills are Gilmour's Fender 1000 steel in open G6 (D G D G B E), the tuning gilmourish.com and the detailed tab give.

  3. 3. On the Run

    E StandardMeasured

    Notes

    Synthesizer piece; no guitar.

  4. 4. Time

    Different pitch

    E Standard −23 ¢Measured

    Notes

    Standard tuning, about 23 ¢ flat (A ≈ 434): the whole song, not only the clock-and-drums intro, sits lower than the rest of the album.

    Tabbed in standard tuning like the rest of the album; TuneLit measured this song on its own because its pitch differs from the album's.

  5. 5. The Great Gig in the Sky

    Different tuning

    D2 G2 D3 G3 B3 E4 +11 ¢Measured

    Notes

    How to get there from the album's E Standard: String 6 down a whole step (E → D), String 5 down a whole step (A → G); the other strings stay.

    Piano, voice and steel guitar. The steel is in open G6 (D G D G B E); play it with a slide on a spare guitar.

    The only guitar on the track is Gilmour's Fender 1000 steel, in open G6 (D G D G B E): open G with the top string raised to E. He kept that tuning on every lap steel he played the song on live.

  6. 6. Money

    E StandardMeasured

    Notes

    Standard tuning, in B minor. The last part of the solo is on a 24-fret guitar.

  7. 7. Us and Them

    E StandardMeasured

  8. 8. Any Colour You Like

    E StandardMeasured

  9. 9. Brain Damage

    E StandardMeasured

  10. 10. Eclipse

    E StandardMeasured

What the labels mean

Measured
TuneLit measured the pitch on an original CD or LP. The tuning name still comes from the sources.
Official
The band, a member, their producer or their guitar tech said it.
Widely reported
Trusted outlets, guides and tabs agree, but the band did not say it directly.
Community
From community tabs, or from players who tune along with the record.
Disputed
Sources disagree. The likeliest setting is shown; the notes name the other one.

Each song shows one label, the strongest it has, in this order. How we measure recordings →

Questions

What tuning is The Dark Side of the Moon in?

Pink Floyd recorded The Dark Side of the Moon (1973) in E Standard at concert pitch (A 440), measured by TuneLit on the CD. Time uses E Standard −23 ¢; The Great Gig in the Sky uses D2 G2 D3 G3 B3 E4 +11 ¢.

Why does The Dark Side of the Moon sound out of tune with my guitar?

Time sits about 23 cents flat (A ≈ 434), so a guitar tuned to A 440 clashes with it. The Tune buttons on this page set the tuner's reference to match the record, song by song, so you only tune the strings.