Guitar tuning · C♯ G♯ C♯ F♯ A♯ D♯

Drop C♯ tuner.

C♯ G♯ C♯ F♯ A♯ D♯: String 6 dropped to C♯2. Tune with your mic or by ear, at A4 = 440 or any pitch you need.

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C♯ G♯ C♯ F♯ A♯ D♯ · Drop D shape · −1 st

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Guitar · Drop tuning

About Drop C♯

E♭ Standard with String 6 dropped a whole step, to C♯2: C♯ G♯ C♯ F♯ A♯ D♯. Drop tunings make a power chord from one finger across the lowest three strings, so heavy riffs get easier to play.

Drop C♯ is Drop D a half step lower, or E♭ Standard with String 6 dropped. Bands that play in E♭ often use it for their heavier songs.

Also written: C#G#C#F#A#D#

How to get there from standard

  • String 6: lower 1½ steps (E2 → C♯2)
  • String 5: lower a half step (A2 → G♯2)
  • String 4: lower a half step (D3 → C♯3)
  • String 3: lower a half step (G3 → F♯3)
  • String 2: lower a half step (B3 → A♯3)
  • String 1: lower a half step (E4 → D♯4)

Quicker from E♭ Standard: lower String 6 a whole step (E♭2 → C♯2).

Why players use it

Why Drop C♯

Drop C♯ sits in a useful spot: low enough for a dark riff, high enough that fast picking still sounds clear. Daron Malakian chose it for exactly that. System of a Down played their first three albums in Drop C, and for Mezmerize and Hypnotize he moved up a half step so the attack of each note would come through in the faster, more intricate parts.

It also pairs neatly with E♭ Standard. The top five strings are the same, so a guitarist can keep one guitar in each and swap for the heavy song without the singer or the solos noticing. Jerry Cantrell does just that, with a second guitar in Drop C♯ beside his E♭ one.

On the records

Who plays in Drop C♯

For Alice in Chains that second guitar carries We Die Young, Them Bones, I Stay Away and Grind, 16 songs on TuneLit. Nirvana used the same pairing on In Utero, which is in E♭ with Scentless Apprentice, Heart-Shaped Box and All Apologies in Drop C♯, and Van Halen took the low string from E♭ down to C♯ for Unchained and three other Fair Warning songs.

TuneLit lists 92 Drop C♯ songs. Linkin Park lead with 24, built on Hybrid Theory and Meteora: Papercut, One Step Closer, In the End and Numb. System of a Down add 21 from Mezmerize and Hypnotize, B.Y.O.B. and Lonely Day among them, and Deftones tuned all of Around the Fur here, My Own Summer (Shove It) and Be Quiet and Drive (Far Away) included.

Songs on TuneLit

Famous songs in Drop C♯

Each song has its own page: the exact tuning, the pitch of the record and how to get there string by string. Tune sets the tuner to the record, cents included.

92 songs · 12 bands

Every Drop C♯ song on TuneLit

Open a band to see its songs in this tuning. Each song opens on its album page, at its own Tune button, set to the pitch of the record.

Linkin Park 24 songs
System of a Down 21 songs
Alice in Chains 16 songs
Deftones 8 songs
Nirvana 7 songs
Van Halen 5 songs
The Pretty Reckless 4 songs
Guns N' Roses 2 songs
Slayer 2 songs
Kyuss 1 song
Metallica 1 song
Sepultura 1 song

Playing tips

Playing in Drop C♯

The same notes also appear as Drop D♭, C♯ G♯ C♯ F♯ A♯ D♯ or D♭ A♭ D♭ G♭ B♭ E♭. Many tabs and lessons move these songs up to Drop D: the frets are right, but they sound half a step above the record and will not line up when you play along.

The low string drops three half steps and loses close to a third of its pull, so it is the one that flaps. A heavier String 6 on its own fixes most of that: Malakian used a .048 to .050 low string on the double album. Tune the top five to E♭ first, then lower String 6 until it sits an octave below String 4. The bass goes to C♯ G♯ C♯ F♯.

6 strings

Notes and frequencies

Drop C♯: notes and frequencies in Hz at three common A4 references
StringNoteA = 440A = 432A = 442
6C♯269.3068.0469.61
5G♯2103.83101.94104.30
4C♯3138.59136.07139.22
3F♯3185.00181.63185.84
2A♯3233.08228.84234.14
1D♯4311.13305.47312.54

The tuner on this page works at any A4 from 300 to 600 Hz, and can shift the whole tuning by half steps or fine cents.

Measured

How the tuner hears C♯2

Drop C♯ goes down to C♯2 on String 6, 69.30 Hz. A phone mic hears C♯2 faintly: in our phone-mic model its fundamental arrives 7 dB quieter. Read from its overtones, C♯2 stayed within 1 ¢.

How the tuner listens →

No tuner for Drop C♯?

The capo trick

If your tuner only knows Drop D, clamp a capo across fret 1 and tune the strings, capo on, to Drop D (D A D G B E) as usual. Take the capo off: every open string drops a half step and you are in Drop C♯ (C♯ G♯ C♯ F♯ A♯ D♯).

A capo pushes the strings a little sharp, so the open strings can end up a few cents flat. Check each one again without the capo: the tuner on this page reads Drop C♯ directly.

String tension

Strings and tension

String 6: about 29% less tension. Strings 5–⁠1: about 11% less tension (approx., same strings, same scale length).

To keep the feel of a 10–⁠46 set at standard pitch, try about 10.5–⁠54 (approx.: string makers' charts differ, and many players simply like it looser).

A longer neck helps too. Compared with a 25.5″ guitar, a 27″ scale gives back about a half step of tension and 28.6″ about a whole step (approx.).

Check string tension → String by string, with your own set and scale length.

Neighboring tunings

Higher tunings first. Each rung moves every string of Drop C♯ by a half step; in the tuner, the ◂ ▸ arrows on the tuning chip do the same.

  1. Drop E♭Drop D, 1 half step higher. Notes: E flat B flat E flat A flat C F
  2. Drop DLow string down to D
  3. Drop C♯This pageDrop D, 1 half step lower. Notes: C sharp G sharp C sharp F sharp A sharp D sharp
  4. Drop CDrop D, 2 half steps lower
  5. Drop BDrop D, 3 half steps lower

Questions

What are the notes of Drop C♯?

From String 6 to String 1: C♯2 G♯2 C♯3 F♯3 A♯3 D♯4. At A4 = 440 Hz the lowest string is 69.30 Hz and the highest is 311.13 Hz.

How is Drop C♯ different from C♯ Standard?

C♯ Standard lowers all six strings 1½ steps (C♯ F♯ B E G♯ C♯). Drop C♯ takes only String 6 that low; the other strings stay at E♭ Standard (A♭ D♭ G♭ B♭ E♭).

Do I need heavier strings for Drop C♯?

String 6: about 29% less tension. Strings 5–⁠1: about 11% less tension (approx.). To keep the feel of a 10–⁠46 set at standard pitch, try about 10.5–⁠54 (approx.: string makers' charts differ, and many players simply like it looser).